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・ Albulina omphisa
・ Albulina pheretes
・ Albulina younghusbandi
・ Album
・ Album (disambiguation)
・ Album (film)
・ Album (Girls album)
・ Album (Joan Jett album)
・ Album (Land of the Lost)
・ Album (magazine)
・ Album (Public Image Ltd album)
・ Album 1700
・ Album 1994
・ Album 34
・ Album Album
Album cover
・ Album de la Pléiade
・ Album des pavillons
・ Album Era
・ Album for the Young
・ Album graecum
・ Album II
・ Album II (Kem album)
・ Album III
・ Album in a Day 2
・ Album leaf
・ Album Minus Band
・ Album musical
・ Album Number 2
・ Album Number Two


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Album cover : ウィキペディア英語版
Album cover

An album cover is the front of the packaging of a commercially released audio recording product, or album. The term can refer to either the printed cardboard covers typically used to package sets of and 78-rpm records, single and sets of LPs, sets of 45 rpm records (either in several connected sleeves or a box), or the front-facing panel of a CD package, and, increasingly, the primary image accompanying a digital download of the album, or of its individual tracks.
In the case of all types of tangible records, it also serves as part of the protective sleeve.
== Early history ==
Around 1910, 78-rpm records replaced the phonograph cylinder as the medium for recorded sound. The 78-rpm records were issued in both 10- and 12-inch diameter sizes and were usually sold separately, in brown paper or cardboard sleeves that were sometimes plain and sometimes printed to show the producer or the retailer's name. These were invariably made out of acid paper, limiting conservability. Generally the sleeves had a circular cutout allowing the record label to be seen. Records could be laid on a shelf horizontally or stood upright on an edge, but because of their fragility, many broke in storage.
German record company Odeon pioneered the "album" in 1909 when it released the ''Nutcracker Suite'' by Tchaikovsky on four double-sided discs in a specially designed package. (It is not indicated what the specially designed package was.) The practice of issuing albums does not seem to have been taken up by other record companies for many years.
Beginning in the 1920s, bound collections of empty sleeves with a plain paperboard or leather cover were sold as "record albums" (similar to a photograph album) that customers could use to store their records. (The name "record album" was printed on some covers.) These empty albums were sold in both 10- and 12-inch sizes.〔Example in personal collection.〕 The covers of these bound books were wider and taller than the records inside, allowing the record album to be placed on a shelf upright, like a book, and suspending the fragile records above the shelf, protecting them.
Starting in the 1930s, record companies began issuing collections of 78-rpm records by one performer or of one type of music in specially assembled collections. These albums of several 78-rpm records could include a collection of popular songs related by either performer or style, or extended-length classical music, including complete symphonies.〔
In 1938, Columbia Records hired Alex Steinweiss as its first art director. He is credited with inventing the concept of album covers and cover art, replacing the plain covers used before. After his initial efforts at Columbia, other record companies followed his lead. By the late 1940s, record albums for all the major companies featured their own colorful paper covers in both 10- and 12-inch sizes. Some featured reproductions of classic art while others utilized original designs.
When the 10- and 12-inch long-playing records (LPs) came along in 1948, and box sets of 45-rpm records soon followed (see gramophone record), the name "album" was used for the new format of collections, and the creation of artistic original album covers continued.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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